Shadow of a Vampire, Post Modernism

vampire Es dictate The text holdbook genus Dracula was written in a time long before post-modernism, when straightlaced determine were considered important and issues relating gender were established. Nosferatu was as well as written in the time of modernism, where at that place was a sense in that westbound culture had lost its values. quarter of a vampire is a recent, post-modern text that foc subroutines on the takeing methods and techniques recitation to photograph Nosferatu. victimization post-modern techniques that are comparable to satire in some paroxysms, phantasm of a vampire combines the cardinal gothic texts into a un utilisationd text, using a film in spite of appearance a film technique.As previously noned, Dracula, Nosferatu and buns of a Vampire every(prenominal) integrate a gothic sense as in they involve a castle, shadows, a beam of moonlight in the blackamoor and the only source of light failing (a candle blown out or an electric failure). all (a) these are white plagued in the three texts to use imaginativeness on black and white as good and evil, for example Christian values are good and promiscuous char are bad in Dracula. behind of a Vampire contradicts this by qualification the text perform in Berlin during a time of massive drug use ( divorceicular morphine which gives you an effect quite uniform Draculas bite) and promiscuous activity was large.Shadow of a Vampire uses pastiche to imitate the filming of the master Nosferatu text, scarce normally adds its own turn over to the stereotypical vampire story. Such as the jibe in the night, after the twist of the makeshift ship on the set count Orlak sneaks up on the two film producers, making the audience mobilise that he is about to attack and pull down them. He ends up drinking and acquire drunk with them, and even eating a vampire bat in reckon them. A symbolic factor in all vampire stories is the bat but Orlak shows he has no care for the traditional modernist view in this scenery.When Orlak is asked about how he feels about the book this triggers a text in spite of appearance a text within a text, being a picture show found on Nosferatu making a mention on Dracula. The constant fire by the film industry to confront real aliveness events and make them imperishable is completed through Murnaus plagiarize during the time he is filming a real spiritedness vampire cleaning people, only for a good shot. term will no longer be a dark spot on our lungs. They will no longer say you had to have been there, because the fact is, Albin, we were. An example of this is the scene where Count Orlak asked for make-up before his scene, this is humourous because Orlak wants make-up to increase the illusion that he is a vampire to the audience when he actually is a vampire. The parallel amongst the film public and the vampire foundation is portrayed through various quotes which presage and depict how the film industry is like to a vampire. Greta says, when describing the film industry to the star sign acting life the audience gives me life This thing *pointing at camera* takes it away(predicate) from me. This foreshadows how in the end scene she is killed by count Orlak as a make for a perfect scene, in the film industry. The camera taking the life away from her parallels a vampire sucking the job from her. The parallel amongst the film world and the vampire world is practiced when the infinity of film gives immortality in Shadow of a Vampire and Dracula playing immortality in the book Dracula. The timelessness of film is shown in the scene in which Murnau promises count Orlak everlasting life in exchange for playing the part in the movie.Everlasting life is through filming, it is endlessly shown in Christianity as a satisfy but this time it is promised through the average of filming. This scene relates back to the strong religious views found in the time backdrop in Dracula and is a prominent ex ample of the transformation techniques used in Shadow of a Vampire. The end scene of the Shadow of a Vampire where Murnau puts morphine into Gretas system to put her into a dreamy state mirrors the bite of Dracula in the original book.This is another example that the dominant character is in-fact the director and not the vampire. This is another example of the parallel between the characters and situations in the vampire and film world. All these factors have contributed to the transformation nature of Shadow of a Vampire in combine the three texts. The conjunction of themes of the gothic and the use of pastiche to imitate, the parallel between the film and vampire world while placid maintaining a post-modern view are easily displayed in the film Shadow of a Vampire.Arguments * Parallel between Film and Vampire world * Pastiche to imitate a film, filming a story based on a book. The constant strain to portray real life events * Gothic mode used in all three texts, in Dracula to represent Christian values and science as good and evil and in Shadow of a Vampire this is contradicted in the background knowledge of the text where excessive drug use and sex is acted on frequently